Production design by Bhaskar Katakamsetty is authentic. Editing is fine for most of the film, but for the last 20 minutes where it's hurried.
#Loukyam movie idlebrain review full
The dialogues written to the hero are full of optimism/positivity and the dialogues written to the heroine are fun in some parts and deep in some other parts. Dialogues written by Sekhar Kammula are excellent. The audiences who loved the youtube song of Saranga Dariya are in for a little disappointment (unlike Vachinde song from Fidaa) as you can’t completely enjoy the song as it comes in a tense moment of the film and is edited in a way to accommodate story-related scenes in between. Background music helps in enhancing the emotions/mood of the scenes.
Other departments: Songs and background music by Pawan Ch is the highlight of the film among the technical departments. The 3-hour duration of the film is another minus along with the slow narration. Though the two social issues are conveyed, a better pre-climax and climax would have helped the film in conveying in a more powerful manner. The flow of the story becomes abrupt, hurried and little forced. Though he has done it properly for most of the first half and half of the second half, the latter part takes an unexpected turn. These two characters falling in love and helping themselves represent organic writing and create interest. The hero character exudes hope and positivity when confronted with a problem, and the heroine character goes through depression when in trouble (due to her internal conflict and past experiences). For the first time, Sekhar Kammula writes an equally important male protagonist role in Love Story. Hero characters in Sekhar Kammula’s films don't have any internal struggles. He has written dialogues and scenes for the heroine character in such a way that we fall in love with her character. Sekhar Kammula has a way of expressing love/romance in a poetic/endearing way. He touches another burning social issue through this film (apart from caste/religion divide). There is a physical/psychological issue to the heroine character in the film which he has connected very logically towards the end (good screenplay technique). Sekhar Kammula deals with this issue very sensitively most of the time, and he is very direct about it in a few scenes. Though it’s essentially a love story, the conflict point is the caste/religion division. Story - screenplay - direction: After Leader, here is a film in which Sekhar Kammula touches an issue other than love and family values. All other characters are cast well (especially the character of the hero's assistant and the heroine’s friend). Eeswari Rao enlivens the role of the hero’s mother.
Uttej gets a vital character and delivers a natural performance. This is probably the best character in his career. Rajeev Kanakala plays the role of a villain in this film to perfection. Her dance in the first song is exceptionally good. And she brought out all those emotions with consummate ease. Sai Pallavi’s character is endearing and vulnerable. His work in this film is several notches above his work in Majili (which was his earlier best). He has worked really well on the Telangana dialect and it's pretty good. He has shown all those emotions with his expressions/dialogue-delivery. His character goes through a lot of pain and optimism. Naga Chaitanya is perfect as the self-made man.
Rest of the story is all about how they defy all odds to unite. As they grow closer to each other, they realise that they belong to the same village. After looking at her dancing prowess, Revanth offers a job in his center. She belongs to the upper caste and she fears her babai (Rajeev Kanakala) a lot. Mounika (Sai Pallavi) comes to Hyderabad against the wishes of her family to find a job. He is from a village where the people belonging to the lower castes are treated with disdain, He comes to Hyderabad and starts a Zumba classes center in a penthouse. Revanth (Naga Chaitanya) is brought up by his mother. Producers: Narayan Das K Narang & Puskar Ram Mohan Rao Story - dialogues - screenplay - Direction: Sekhar Kammula Theatre watched: Screen 4, Prasads multiplex, HyderabadĬast : Naga Chaitanya, Sai Pallavi, Rajeev Kanakala, Eeswari Rao, Uttej, Gangavva etc Punchline: Emotional and Gutsy Love Storyīanner: Sree Venkateswara Cinemas & Amigos Creations
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